
April Knit Studio
An editorial brand and site for the studio behind other fashion labels' knitwear.
Key wins
The studio's work was already in Vogue and Bazaar. The site had to catch up to it.
- 3-part system
- 8 features
- New mark
The idea
An editorial brand and website for the studio that designs, sources and produces knitwear for other fashion labels.
A video hero, a custom AKS mark, and a template system built to hold a growing portfolio of client collections.
Treat the studio's own brand with the same editorial respect it brings to its clients. Real knitwear in motion as the hero, photography doing most of the persuading, copy kept short.
Underneath, a structure built to grow: a work index that reads like a contents page, a case-study template that gives every client engagement its own page, and a lightbox gallery so the craft itself carries the proof. And a considered identity to stand behind all of it, the AKS mark, with real iteration on the mark and the palette.

The problem
April Knit Studio designs, sources and produces knitwear for other fashion brands: concept and technical design, sustainable yarn sourcing, tech packs and sample fittings, and manufacturing partnerships across Latin America and beyond. Its work sits behind labels that go on to be featured in Vogue, Harper's Bazaar and Elle.
But a studio that works one layer behind the brand looks like a vendor if its own site does not carry the taste it sells. A founder deciding who to trust with a collection judges that partly on what they see first, and a generic services page undersells a studio whose work already earns magazine coverage.
The challenge
Two kinds of founder had to trust the same site. A first-time founder needs plain proof that a stranger can be trusted with an idea, and what concept, sourcing and manufacturing mean for their collection. An established label moving from hand-knits into machine production needs specific evidence of range.
And the studio's real advantage is its client list, which draws a fine line. Show enough of Casa de Stella, The Knotty Ones and Jakob to prove range and taste, without letting the site read as if it is about those brands rather than the studio that built them.
What I did
Brand and site design direction, as a Format-3 engagement: the AKS mark and palette, the site's structure and content, an editorial, photography-led design, a video hero, responsive layouts, and the template system that holds the studio's growing client portfolio.

The portfolio system
The case-study template holds real stories. Casa de Stella's Peruvian alpaca collection paired hand-knit and machine-assisted techniques, and its basketweave cardigan became a signature piece reordered across seasons. The Knotty Ones moved their designs into machine-knit production without losing their sustainable values. Jakob's eco cashmere essentials, hand-linked in Italy, read as heirlooms rather than a seasonal drop.

The craft, up close
The studio's own words carry the brand as much as the mark does: “Design is a bridge between history and the future. By honoring process and craftsmanship, we create clothing that carries meaning beyond trends.” The site sets that statement against close-up photography of the yarn and the knit itself.


The site went live in 2024 with its own case studies for Casa de Stella, The Knotty Ones and Jakob.
The site now carries dedicated case studies for clients like Casa de Stella, The Knotty Ones and Jakob, with the studio's own name beside the brands it helped build.


